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The
work watches the viewer as the viewer watches the work.
The viewer is to be watched with care, irrelevant rather than dangerous,
but nevertheless intrusive.
There is an atmosphere of curiosity countered with a withdrawal.
Like toys which animate when their child owner is asleep, the implication
is that the structure has an existence that is hidden and apart.
There is a feeling of stalking, and being stalked, with the viewer
provoking responses through movement in the space, the sculpture responding
to this movement by halting as if interrupted, and monitoring the
interruption |